Kumichou Musume to Sewagakari (The Yakuza's Guide to Babysitting) cover art

Should I Watch Kumichou Musume to Sewagakari?

Japanese title: 組長娘と世話係

English title: The Yakuza's Guide to Babysitting

No. of episodes: 12

Season: 🌊 Summer 2022 🌊

My personal score: 6/10

So you're probably asking whether Kumichou Musume to Sewagakari is good, or if it's worth watching.

Tooru Kirishima's notoriety is spread far and wide in the underworld. He is most commonly known as "The Demon of Sakuragi"—a man who is not afraid to resort to violence if deemed necessary. After almost jeopardizing a peace treaty, his boss tasks him with the most difficult job he has ever had: taking care of seven-year-old Yaeka Sakuragi—the boss' precious daughter—so that Tooru understands what it means to be responsible for another life.

At first, the two do not seem to meet eye to eye, as Tooru has no clue on how to communicate with Yaeka, and the young girl is not used to expressing her emotions. However, as time goes on, they come to understand each other despite their differences. The fearsome right-hand man of a yakuza boss and the child he must protect are about to learn that family is not always bound by blood.

[Source: MAL Rewrite]
(Synopsis ends)

Hello, my fellow fans of anime! Today, we're delving into Kumichou Musume to Sewagakari, better known as The Yakuza's Guide to Babysitting, a recent entry in the anime genre. You may be thinking, "We've seen the nice Yakuza family trope before; is this one any different?" after watching Gokushufudou, Hinamatsuri, and Spy X Family. So let's look more closely!

It's crucial to remember that this anime is the first to be based on a Micro Magazine Comic ELMO title and that it was created by mangaka Tsukiya. It started out as an online comic called Gokudou Musume to Sewagakari, which was shared on the author's Twitter and Pixiv accounts. The similarities to Gokushufudou are evident, but Yakuza families have established themselves in the anime community in a number of different ways.

Gokushufudou showed us how a high-ranking Yakuza member balanced business and personal life, Hinamatsuri gave us babysitting with a side of funny humor, and Spy X Family showed us the nuances of family dynamics. What benefits does Kumichou Musume to Sewagakari offer then?

In essence, it's a manual for Yakuza members on how to pass as normal citizens while concealing their true identities—all while caring for children. Although it's hardly a ground-breaking idea, it works very well. Our main character, the Yakuza Crusher "Demon" Toru Kirishima, is given the responsibility of watching over Yaeka, his boss's 7-year-old daughter. There are no wild narrative turns or overly intricate setups; just good old-fashioned familial goodness. It's hardly revolutionary, but it's a respectable diversion.

We observe the typical character interaction within the Sakuragi Family and its links, with the father-daughter relationship between Kirishima and Yaeka taking center stage. Even if it's endearing, this is when the "nothing happens" mentality sets in. The show frequently repeats the same ideas, which can make it seem a little monotonous.

On the plus side, we do get some amusing characters, especially Kirishima's close friend and right-hand man, Kei Sugihara. He unintentionally contributes to the hilarity by joining in on Kirishima's antics in a way that is incredibly entertaining to witness. The anime also features close friends like Aoi Tochiro and members of rival families like the annoying Yuri Mashiro, who give Kirishima's life some variety. Overall, nothing particularly noteworthy; simply okay.

Thanks to the joint efforts of feel. and Gaina (previously Fukushima Gainax), Kumichou Musume to Sewagakari maintains a high level of production throughout. It's exactly what you'd expect from a lighthearted program, and the OST fits the mood nicely even though it doesn't have a strong emotional impact.

I enjoy watching anime with a family-centered story, but "Kumichou Musume to Sewagakari" doesn't provide anything fresh. It's a lost chance to differentiate oneself amid a crowded field of comparable works. It has its moments, but overall, it's nothing special—just fine.

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